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To read more about the history and cultural significance of 48 Hudson, please visit our separate page on the building here. Built in 1728, it is also the oldest house in the city of Albany. Other components of Dutch architecture include buildings with raised parapets, steeped gables, and “H” shaped timber frames.Ĥ8 Hudson Avenue, also known as the Van-Ostrande-Radliff House, is believed to be one of the only structures in the United States to have the original timber frame. Some of the general similarities of Dutch buildings seen throughout New York State are the extended eaves, gambrel and gabled roofing. Beyond the ethnic diversity of the numerous European peoples, New Netherland’s African and Native American inhabitants also influenced the architectural style, as well as the materials available to settlers. “The architecture presented here (New Netherland) can be characterized as ‘‘Dutch’’-the Dutch remained the dominant group in the area by population new or smaller groups tended to assimilate to the Dutch ways in religion, architecture, and language the region had formerly been under the control of the Dutch and early observers and travelers regularly described the towns and families as ‘‘Dutch…” Within New Netherland, the diverse colonial environment also contributed to a developing and unique style of architecture. Manca further elaborates on this feeling of ‘Dutchness’: Artwork from this period demonstrates recognizable qualities of Dutch architecture that can be seen in the buildings of New Netherland. Holland was the most prosperous and wealthy of the provinces. More commonly known as the Dutch Republic, a Golden Age of Dutch art, literature, science and design flourished in this time period. From 1588 until 1795, The Republic of the Seven United Netherlands consisted of much of the present-day Netherlands. Additionally, The Netherlands in the 17th century had different political boundaries than in the modern era. As such, the style remains difficult to define in a cultural sense as it is made up of a variety of influences. Other ethnic Europeans that share architectural similarities with the Dutch include the Flemish, Walloons, French Huguenots and Palatine Germans. The close proximity of these nations allowed for a spread of customs, ideas, religious beliefs and various modes of artistic expression and technique, including architecture. Dutch traditions were not only present in the Netherlands, but also in Belgium, northern France, and western Germany. Other features that can be seen in the artwork from the Netherlands include gabled and steeped gable roofs and tinder frame structures.ĭutch Architecture in the Old & New WorldĪspects of Dutch culture were present in numerous other ethnic communities in the Old World. Many aspects of Dutch architecture were brought over to the New World from the Old one, including the porch. In Dutch structures, the porch was utilized for both social and work purposes. Native people in Upstate New York, like the Mohawks of the Iroquois nation, built porches on their longhouses to provide shade for duties performed outdoors. Thus it can be argued that a variety of people and cultures contributed to the design of the “American” porch in Early America. Manca notes that porches can be found in the architectural record of a variety of cultures and geographical regions across the world. However, looking at the historical record left behind by Dutch artists dating back to the Early Modern period, a tradition of porch building is evident. Some historians have argued that the Dutch drew inspiration from the English in their design of the porch. In “On the Origins of the American Porch Architectural Persistence in Hudson Valley Dutch Settlements,” Manca addresses the lack of scholarly attention to the contributions made by Dutch craftsmen in the Early American period. Historian Joseph Manca, a professor of Art History at Rice University, addresses the issue of defining the Dutch style and the contributions the Dutch made to architecture and design in his work. One debate is whether or not the Dutch introduced the Porch in New Netherland. It can be difficult to pinpoint “exclusively” Dutch, or English design qualities in buildings and other structures, especially those that exist today from the period after the settling of New Netherland (the modern day East Coast of the US). What exactly makes up “Dutch Architecture” is a controversial subject that is debated by historians and architecture professionals alike. Defining Dutch Colonial Architecture The term “Dutch Architecture” is one that is not easily defined. The nutritional needs of bacteria can be met through specialized microbiological media that typically contain extracts of proteins (as a source of carbon and nitrogen), inorganic salts such as potassium phosphate or sodium sulfate, and in some cases, carbohydrates such as glucose or lactose. An appropriate physical environment must be created, where important factors such as temperature, pH, and the concentration of atmospheric gases (particularly oxygen) are controlled and maintained. Some bacteria also require added nutritional components such as vitamins in their diet. Many bacteria, particularly those that cause diseases and those used in scientific studies, are heterotrophic, which means that they rely on organic compounds as food, to provide energy and carbon. Growing bacteria in pure culture is still one of the most widely used methods in microbiology. With the evolution of antibiotic-resistant strains and our increased knowledge of bacterial stealth attack strategies such as biofilms and intracellular growth, medical researchers have refocused their attention on disease-causing bacteria and are looking for new ways to defeat them. Most of these methods involved isolating single bacteria derived from a natural source (such as a diseased animal or human) and cultivating them in an artificial environment as a pure culture to facilitate additional studies.ĭuring the middle of the twentieth century, when we believed we had defeated them at their disease-causing game, bacteria became popular subjects of empirical study in fields such as genetics, genetic engineering, and biochemistry. The methods devised by Robert Koch, Louis Pasteur, and their associates during the “Golden Age” of microbiology, which spanned from the mid-1800s to early 1900s, are still widely used today. _īacteria were first observed by Anton von Leeuwenhoek in the late 17th century, but didn’t become the objects of serious scientific study until the 19th century, when it became apparent that some species caused human diseases.Below, list three positive things that bacteria do for you. 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The cultivated tomato has a narrow genetic diversity that resulted from its intense selection and inbreeding during evolution and domestication thus, these species are more prone to disease epidemics. However, the commercial production of tomato has been hindered by many fungal, bacterial, viral and nematode diseases including early blight. Higher production of tomato is therefore required to fulfill the ever-increasing demand. Because of its wide use and nutritional values, there is a high demand for both fresh market and processed tomato varieties. Tomato is the richest source of vitamin A and C and supplies a sufficient amount of the antioxidant lycopene pigment that helps to protect the body against cancer and heart disease. Tomatoes are consumed in several ways: fresh, mixed in other food items or processed and canned as sauce, ketchup, juice, salsa, paste, soup and pickled. The USA ranks in third position in the total world production of tomato after China and India. USA tomato production contributes 13.2 million metric tons with a value of $5 billion to the total world production. The total world production of tomato is 161.7 million metric tons with a value of ∼$59 billion. Tomato is the world’s second most consumed vegetable after potato. It can be grown in a wide range of climates from tropical to temperate it also can be cultivated under cover conditions when outdoor temperatures are not favorable. Tomato ( Solanum lycopersicum Linnaeus), native to the Andean region of South America, is one of the most common horticultural crops and cultivated throughout the world. This paper will review the current understanding of causal agents of EB of tomato, resistance genetics and breeding, problems associated with breeding and future prospects. More research is needed to identify additional sources of useful resistance, to incorporate resistant QTLs into breeding lines through marker-assisted selection (MAS) and to develop resistant cultivars with desirable horticultural traits including high yielding potential and early maturity. Pyramiding of those QTLs would provide strong resistance. pimpinellifolium, but none of them could be used in EB resistance breeding due to low individual QTL effects. Several quantitative trait loci (QTL) conferring EB resistance have been detected in the populations derived from different wild species including Solanum habrochaites, Solanum arcanum and S. Polygenic inheritance of EB resistance, insufficient resistance in cultivated species and the association of EB resistance with undesirable horticultural traits have thwarted the effective breeding of EB resistance in tomato. Resistance sources have been identified in wild species of tomato some breeding lines and cultivars with moderate resistance have been developed through conventional breeding methods. Currently, cultural practices and fungicide applications are employed for the management of EB due to the lack of strong resistant cultivars. Alternaria are known only to reproduce asexually, but a highly-virulent isolate has the potential to overcome existing resistance genes. In some instances, annual economic yield losses due to EB have been estimated at 79%. Early blight (EB) is one of the dreadful diseases of tomato caused by several species of Alternaria including Alternaria linariae (which includes A. See you later, alligator: meaning good-bye. Melt down and float away: meaning get lost, drop dead, or in grown-up language, go away. Here are just as few and catchphrases like: Well the mails have brought literally hundreds of letters and postcards from youngsters all over the country. It has long been my conviction that the most effervescent and everchanging department of the American language is the subdivision labeled “Teenage slang.” So I suggested that my younger readers send in the favorite expressions of their teenage set. On 15 th February 1954, The Kansas City Times (Kansas City, Missouri) published Words, Wit and Wisdom, in which William Morris wrote: These sayings invite expressions like “see you soon, goon,” and “hit the road, toad.” And of course there’s the additional “pidgin” and Hawaiian words to dress it up.īesides the everyday “slang,” many high school students use expressions such as “toodle-oo tofu,” “so long, dai-kong,” or “ see you later, alligator.” Lots of the Hawaii-style slang can be credited to or blamed on the Mainland. The earliest instance of see you later, alligator that I have found is from Teenagers’ Slang Expressions Are Explained by Columnists, by “ Jackie and Jane, Star-Bulletin Teen Columnists”, published in the Honolulu Star-Bulletin (Honolulu, Hawaii) of 1 st May 1952: The expected response is in, or after, a while, crocodile. We have plenty of flair options for you to choose from:Ĭlick the edit button next to your name to select your flair.The colloquial see you later, alligator, which originated in American English, is a catchphrase used on parting. 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The MCE remote protocol is a standard of sorts, so there are actually a whole bunch of 'devices' in Logitech's database which are listed as being for various HTPCs or remote controls which are really just sending the standard MCE commands, and you can pick any of them if what you're actually talking to is an MCE transceiver. Obviously I couldn't sleep with things this way, so I decided to try just one other thing: I changed the profile I was using for the transceiver in the Harmony configuration. Everything seemed to be pointing to Go, yet my remote obstinately would not wake up the system. I had XBMC configured appropriately: wake from actual power-off is rarely going to work, so you want to configure XBMC to suspend when it's told to shut off that setting is in System / Settings / System / Power saving / Shutdown function, set it to Suspend. I had all the even-possibly-relevant firmware settings I could find set to 'yes please let me wake up thank you very much'. I could wake up just fine with a USB keyboard plugged into the same port. All the entries in /proc/acpi/wakeup and /sys that could possibly be the port which my transceiver was plugged into were definitely set to enabled. I suspect the tosuspend reference is ancient now, but I couldn't say for sure. It does seem like poking /proc/acpi/wakeup and/or /sys/blahblahblah/power/wakeup is sometimes necessary for some folks, to enable wake-from-USB at the kernel level for the relevant USB host interface. I don't think there's a lot of woo-woo there, but input from kernel folks who know what the stuff that's being cargo culted there actually does would be welcome. Now this is one of those topics where if you DuckDuckGo it, you'll find some possibly relevant information, and an awful lot of woo-woo. I could suspend the system from the remote, but not wake it up. Then I tried it, and was a sad bunny when it didn't. I set it up with the Philips profile for the Harmony remote, and everything worked fine (as long as I stick the transceiver on a shelf and point it at the wall.yeah, IR is weird), then I thought "hey, maybe on/off from the remote will finally work now!" I say 'genuine' because I bought it off eBay, so who knows, but hey. So I chucked it and replaced it with a 'genuine' MCE remote transceiver, a Philips OVU4120 (much like this newer model). So that receiver started packing up recently it'd frequently get stuck repeating keys, or just not register when it was plugged in, throwing USB errors in the kernel logs. I just had to control the power manually, which really isn't that big of a deal but ate away at me inside, leaving me a hollow, hollow man. I can't recall whether it was on or off that didn't work with the old one, but one didn't. It worked fine for a long time, but one thing that never quite worked was that I couldn't manage to suspend and resume the system from the remote. XBMC and OpenElec are great projects.Įver since I set it up, I've used a janky USB infrared receiver I got off eBay to control it. The HTPC box has been one of my more succesful hardware purchases: I've had it running ever since that blog post, and it's just great, really. So that Harmony remote I talked about recently is hooked up to (among other things) my HTPC box. One of the feelings that almost makes up for all the hassle that comes with building your own infrastructure is the one you get when that last little bit of a jigsaw puzzle finally fits into place. Tl dr: if you've read all the references and still can't get your Harmony or other universal remote to wake up a computer, make sure you use the Media Center Extender or Media Center Keyboard device profile in the Harmony software. Your video appears in another browser page for you to play it ( Figure C).įigure C Image: Lance Whitney/TechRepublic. A small recording toolbar appears in the lower left where you can pause or cancel the recording. Click Share ( Figure B).įigure B Image: Lance Whitney/TechRepublic. Choose whether you want to share your entire screen, a single window or a Chrome tab. In this case, you may want to take a colleague on a tour or demonstration of a document, website or other screen on your PC. Next, you can create a video from your browser. Then click the link for Continue to Workspace.Īt your Workspace window, you can perform a variety of tasks, but I recommend that you first watch the short, pre-recorded videos that explain how and why you would use Loom ( Figure A).įigure A Image: Lance Whitney/TechRepublic. You’re then asked to name your online workspace where all your videos can be accessed.Īt the next screen, add the email addresses of any colleagues whom you want to be able to access and collaborate on videos stored in your online library. What's hot at TechRepublicĬhatGPT cheat sheet: Complete guide for 2023Ħ best alternatives for 2023 (Free & Paid)ĬhatGPT is the fastest-growing area of interest for professional learners, Udemy reportsĪfter you verify your email address, Loom asks you how to plan to use the service - personal, professional or educational. Set up your account with your name and a password. You’ll need an account to use the program, but you can sign in with Google, Slack, Outlook or Apple, or create a new account using your own email. How to record a video from the Loom websiteįirst, browse to the Loom website and click the button for Get Loom for free. For our purposes here, I’ll cover the process for recording a video from the website. Loom works on the web as well as in Windows, macOS, iOS, iPadOS and Android. You can then stitch all the separate videos into one single presentation. You and other people can even record videos at different times and on different devices. Loom lets you trim the video before you share it. SEE: Windows, Linux and Mac commands everyone needs to know (free PDF) (TechRepublic) Maybe you’d like to share information in advance of a meeting to cut down on the time everyone has to spend in that meeting. Perhaps you want to provide feedback on a specific topic to other people in a team. Maybe you’re sharing a document or screen on your PC and want to include a video offering background on the content. With Loom, you can record and share quick videos of yourself communicating something to other employees. That’s when a quick video may just do the trick, and for that you can turn to a free program called Loom. You need a way to convey a specific idea or process with your fellow workers, and you want to do it visually, which leaves out email and phone calls. Loom lets you record videos to help you communicate certain ideas to other employees, both in the office and remotely. How to use Loom to record and share quick videos for colleagues Rubin, Seriff Productions, Shivhans Pictures, /Beards on Broadway, AGL Productions/Brad Blume, Hunter Arnold/Red Mountain Theatre, Cue to Cue Productions/Roy Putrino, Jamie deRoy/Janet and Marvin Rosen, Edgewood/Silva Theatrical Group, Dale Franzen/Henry R. Jenen, John Gore Organization, MGM on Stage, James L. McClelland, Ambassador Theatre Group, Waiting in the Wings Productions, Colin Callender, Gilbert and DeeDee Garcia/Sue Vaccaro, Peter May, Rileyfan, Silverhopkins+/Hunter Johnson, Jay Alix & Una Jackman, Eric Passmore, Thomas Swayne, Elliott Cornelious/SunnySpot Productions, Santino DeAngelo/Cynthia Tong, Craig Balsam, Richard Batchelder, Concord Theatricals, Creative Partners Productions, Marguerite Hoffman, Jessica R. Producers: Sonia Friedman Productions, Tom Kirdahy, Wendy Federman & Heni Koenigsberg, Crossroads Live, Playing Field, Stephanie P. Nederlander, LaChanze, John Gore, Patrick Catullo, Aaron Glick Producers: David Stone, Atlantic Theater Company, James L. Perakos/Stephanie Kramer, Brian Spector/Judith Seinfeld, Richard Winkler/Alan Shorr McClelland, Gavin Kalin, Delman Sloan, Eilene Davidson, Brad Edgerton, Patrick Gracey, Hunter Arnold, Burnt Umber Productions, Cue to Cue Productions, The Factor Gavin Partnership, Harris Rubin Productions, Robert Nederlander, Jr., No Guarantees, Sandy Robertson, Iris Smith, Jamie deRoy/Catherine Adler, Dodge HallProductions/Waverly Productions, Richardo Hornos/Robert Tichio, Heni Koenigsberg/Wendy Federman, Thomas S. Producers: Sonia Friedman Productions, Roy Furman, Lorne Michaels, Stephanie P. Chambers, National Black Theatre, Tim Levy, Bards on Broadway, Bob Boyett, Ghostbuster Productions, James Ijames, Cynthia Stroum, Audible, Adam Cohen, Blake Devillier, Firemused Productions/JamRock Productions, The Forstalls, Iconic Vizion/Corey Brunish, John Gore Organization, Midnight Theatricals, David Miner, Robin Gorman Newman/PickleStar Theatricals, Marc Platt, Play on Shakespeare, The Wilma Theater, Colman Domingo, Cynthia Erivo, Andy Jones, Dylan Pager, Roundabout Theatre Company, Oskar Eustis, Patrick Willingham, Mandy Hackett, Sade Lythcott, Jonathan McCrory Producers: No Guarantees, Public Theater Productions, Rashad V. Producers: Manhattan Theatre Club, Lynne Meadow, Barry Grove, Williamstown Theatre Festival Producers: Second Stage Theater, Carole Rothman, Khady Kamara, Atlantic Theater Company Harris, Lena Waithe, Tucker Tooley Entertainment, CJ Uzomah, Ann Cox, Gina Purlia, Bob Yari, Marvin Peart, Colleen Camp, Marvet Britto, Jeremy Green, Sue Wagner, John Johnson, Jillian Robbins, The Public Theater, Oskar Eustis, Patrick Willingham, Mandy Hackett Bourkoff, 59th & Prairie Entertainment, RuPaul Charles, I’ll Have Another Productions, Jeremy O. Producers: Lee Daniels, BET: Black Entertainment Television, Len Blavatnik, Ron Burkle, Aryeh B. DeBose also addressed the strike in the unscripted monologue, noting that the teleprompters were blank and would remain so apart from flagging when the winners should wrap up their speeches.Ī full list of winners follows. The main show opened with a nod to the strike, as DeBose opened a binder labeled “76th Annual Tony Awards Script” in which all the pages were blank. This year’s ceremony took place amid the ongoing writers strike after organizers struck a deal with the WGA to proceed without a script as a concession to the guild, which promised not to picket the event. The main ceremony aired on CBS and also streamed live and on-demand on Paramount+. The show was split into two parts, with the preshow, The Tony Awards: Act One, airing live on Paramount Global’s FAST platform, Pluto TV. Oscar winner and Tony nominee Ariana DeBose returned to host the ceremony, which this year moved to the new location of the United Palace in New York City’s Washington Heights. How 'The Last of Us' Depicted Love During the Apocalypse |
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